ISSUE #0 (Pilot)
Criticism
Nathaniel Amaris works from a small home studio in Bogor, which he refers to as Studio 23. His paintings centre on the human figure, most times nude, in motion or suspended in stillness.
ISSUE #0 (Pilot)
Essay
Judith Ansems is a Dutch painter, former chart-topping musician, and a licensed child psychologist. Her paintings of domestic interiors — rooms, stairwells, corridors — are rooted in a profound understanding of one’s inner world.
ISSUE #0 (Pilot)
Essay
Ustina Yakovleva’s practice unfolds through long, durational processes — embroidery, beading and drawn line. She works without preparatory sketches, allowing each line or thread to gradually construct its own internal structure.
ISSUE #0 (Pilot)
Criticism
Sofya Skidan’s work resists the binary legacies of modernism: the separation of body and mind, of nature and culture, of science and spirit.
Positions
Review
Since the late 1970s, artists and theorists have explored sound and radio as a site of resistance, embodied transmission, and spatial disruption.
Positions
Review
Slinat has been around for a while — those in Bali will know his street pieces: stencil-like, bold, sometimes funny, sometimes unsettling. He’s long been circling the same set of questions — what happens when ritual becomes a front?
ISSUE #0 (Pilot)
Review
“Nature is uncomfortable”, Filippo Sciascia says, smiling. We’re sitting outside of the Nonfrasa gallery in Bali, after walking through his exhibition Primitive Learning.
ISSUE #0 (Pilot)
Essay
Presented during the Indonesia Bertutur 2024 programme, AMRTA is a multimedia installation set against the backdrop of the serene gardens of the Museum Puri Lukisan in Ubud, Bali.
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