Chiara Serpani holds a Master's degree in Philosophy from the University of Milan, where she specialized in Critique of the Contemporary: Genealogies and Perspectives. Her work unfolds at the intersection of aesthetics, visual culture, and contemporary art, approached as a site of embodied and situated inquiry.

Focusing on the relationship between the living body and its surrounding human and non-human agents, she examines how relational configurations challenge and move beyond the representational paradigm.

She is particularly interested in conceiving contemporary art as an ecological site of meaning-making, where aesthetic practices emerge through constant negotiation with the social, political, and cultural conditions.