Nathaniel Amaris works from a small home studio in Bogor, which he refers to as Studio 23. His paintings centre on the human figure, most times nude, in motion or suspended in stillness.
Sofya Skidan’s work resists the binary legacies of modernism: the separation of body and mind, of nature and culture, of science and spirit.
RUANG// publishes writing on Southeast Asian contemporary art with a focus on critical perspectives. We are especially interested in work that engages with technology, ecology, colonial histories, and the shifting cultural and political contexts of the region — but we also welcome other approaches that push conversations forward.
Call For Papers: Technology and Ecology in Southeast Asian Contemporary Art. Submission Guidelines
If you’d like to contribute, fill in this form with a short introduction, a sample of your writing, and the themes you’d like to explore.
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RUANG// is a platform for curatorial research, critical connoisseurship, and context-rooted art production across Indonesia and Southeast Asia.
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